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View Poll Results: How does this piece of music rate with you? | |||
10dB |
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2 | 28.57% |
9dB |
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1 | 14.29% |
8dB |
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4 | 57.14% |
7dB |
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0 | 0% |
6dB |
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0 | 0% |
5dB |
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0 | 0% |
4dB |
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0 | 0% |
3dB |
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0 | 0% |
2dB |
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0 | 0% |
1dB |
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0 | 0% |
Voters: 7. You must log in or register to vote on this poll. |
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#10 | |||
The Classic Dylan Staples
Posts: 51,448
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What Destor says is very true. AFAIK One Winged Angel doesnt incorporate any motifs from the rest of the soundtrack which adds to the shock & awe of the spectacle and makes it feel like it truly came out of nowhere. It is such a momentous moment. Quote:
"Dark Messenger" is the penultimate boss theme of FF9 IIRC. The actual final boss moment in FF9, which most people forget, is pretty interesting. It's against an enemy you've barely heard of. People complain about that but you need some context - the game is essentially a "gaiden" composed of homages/references to the earlier FF games as a sendoff before to "traditional" FF before the jump to PS2. The boss appearing in this way is another one of those references; the Cloud of Darkness from FF3 appears in pretty much the same way. There are some similarities between the themes I legitimately thought the opening/Final Boss theme in FFX was Motorhead when I first heard it Avoid Persona and Metal Gear Solid then. I know FFX was advertised as the "cinematic RPG" when it came out but it's hardly that. The real issues with the game are the voice acting and the pacing slowing to a crawl every time the narrative starts to get good. The combat is really satisfying and the story is pretty creative, plus it's set in a very intereting world inspired by Asian culture. All this is a testament to how bad the voice acting is |
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